Doing some errands in the nearby town of Xipu, I came across the vegetable market there, which is a bit bigger than the local market near our house in Hongguang. To distinguish themselves, vendors often record a short sales pitch of a word or phrase or two, on a little hand-held digital recorder that loops the sentence constantly. The recording ("Fresh fresh spinach!" or "Bananas, bananas, two kuai, two kuai", for example) is then played back very loudly through a battery powered megaphone, and, if you have two or three of them playing together in the same market... Well, just watch the video below, with the sound turned up and your headphones on.
Showing posts with label texture. Show all posts
Showing posts with label texture. Show all posts
Sunday, November 13, 2011
Friday, October 14, 2011
Mostly about the color, these...
Wednesday, July 6, 2011
Art, Scribbles, and Cy Twombly
From my distracted grazing through the internet this morning comes the news that the artist Cy Twombly died today at age 83. As quoted in the Washington Post -

When I started out studying painting at the Art Institute of Chicago, I suppose I found myself agreeing with that statement, though I was a bit too intimidated by the world of High Modern Art to say so. However, over time, I found myself warming up to his work - not necessarily because I had now acquired properly academic Good Taste (though that may have been a part of it), but mostly because Cy seemed to be having so much fun doing what he was doing, and it became contagious.

And because he did it so well! If you've ever worked with oil paint on big canvasses, you'll know that it's not so easy to move around the surface like he did. Doing large gestures like that, you run the risk of having your line looking boring and meaningless on one end of the spectrum, or like a self-indulgent puddle of vomit on the other. Twombly never let his paintings run to either extreme. He slung paint around like Zorro, and his gestures and scribbles turned from heroic to comic and back again.
The thing about abstraction like Twombly's is that once you start to appreciate it, things start to reverse in your mind. Instead of scoffing and saying, "Humph, my kid can do that!", you start to say, "Wow, my kid can do that, too!"

A wall becomes more than a wall. You start to see traces of time, history, and the hands and energy that made it.

(Of course, in this case, it helps that this particular wall was hand plastered and exposed to the elements for quite a while, but you can see my point, right...?)
You start to see art everywhere, even if it doesn't have a recognizable form as such. We all like to look at fireworks and fountains, right? They're simply moving versions of the same principle at work.


I'm not saying that makes me particularly cultured or insightful, but it does mean that I'm often easily amused...

(Look! Some kid built a shelf in the middle of this one!)
And am I the only dad that has a secret urge to join in with his kids in the competition for the window seat on the plane? I hope not...

You mean all along, we've been flying over abstract artworks? Shucks, they told me it was mountains...

Happy noticing, everyone!
One of his leading proponents, Kirk Varnedoe, a former curator at New York’s Museum of Modern Art, wrote in a 1994 essay that “Twombly is the original ‘My kid could do this’ sculptor and painter.”
When I started out studying painting at the Art Institute of Chicago, I suppose I found myself agreeing with that statement, though I was a bit too intimidated by the world of High Modern Art to say so. However, over time, I found myself warming up to his work - not necessarily because I had now acquired properly academic Good Taste (though that may have been a part of it), but mostly because Cy seemed to be having so much fun doing what he was doing, and it became contagious.
And because he did it so well! If you've ever worked with oil paint on big canvasses, you'll know that it's not so easy to move around the surface like he did. Doing large gestures like that, you run the risk of having your line looking boring and meaningless on one end of the spectrum, or like a self-indulgent puddle of vomit on the other. Twombly never let his paintings run to either extreme. He slung paint around like Zorro, and his gestures and scribbles turned from heroic to comic and back again.
The thing about abstraction like Twombly's is that once you start to appreciate it, things start to reverse in your mind. Instead of scoffing and saying, "Humph, my kid can do that!", you start to say, "Wow, my kid can do that, too!"
A wall becomes more than a wall. You start to see traces of time, history, and the hands and energy that made it.
(Of course, in this case, it helps that this particular wall was hand plastered and exposed to the elements for quite a while, but you can see my point, right...?)
You start to see art everywhere, even if it doesn't have a recognizable form as such. We all like to look at fireworks and fountains, right? They're simply moving versions of the same principle at work.
I'm not saying that makes me particularly cultured or insightful, but it does mean that I'm often easily amused...
(Look! Some kid built a shelf in the middle of this one!)
And am I the only dad that has a secret urge to join in with his kids in the competition for the window seat on the plane? I hope not...
You mean all along, we've been flying over abstract artworks? Shucks, they told me it was mountains...
Happy noticing, everyone!
Labels:
abstraction,
landscape,
making connections,
observation,
painting,
photos,
texture
Friday, July 1, 2011
Some drawings I've been doing
No particular titles so far, and none with any concrete meanings that I've figured out yet. Some of them do look more Chinese than others, though..
Oh gosh, I guess this next one is a slow boat, isn't it?
Labels:
creativity,
drawing,
making connections,
sense of place,
still life,
texture
Tuesday, May 24, 2011
Tuesday, May 17, 2011
Tuesday, May 10, 2011
Tuesday, May 3, 2011
Tuesday, April 26, 2011
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